|
Directed by Rhonda Clark THE DRAWER BOY was named one of Time Magazine’s Ten Best Plays of 2001 and was the most produced play in American regional theaters in 2004. The comedy-drama was the recipient of four Dora Awards (Canada’s Tony), as well as other prestigious Canadian theater awards. Set on a small farm in Ontario in 1972, two farmers scratch out a meager living. They grew up together, served in WWII together and have lived under the same roof for thirty years. Morgan runs the operation and carefully watches over his buddy Angus who suffered a head injury during the London blitz. Due to the accident, Angus has lost his memory, and is given to emotional outbursts and excruciating headaches. He is the "drawer boy" of the title, a moniker derived from his love of drawing and design when he was young. Now, Morgan marshals their daily routine, and works hard to keep his buddy out of harm’s way.
Into this ritual existence comes Miles, a young actor from Toronto who is doing research for a play about farm life. Morgan begrudgingly takes Miles in, but assigns him such asinine tasks as scrubbing gravel with a vegetable brush or cleaning out the dairy barn with a fork. One night, Miles overhears Morgan telling Angus the story of their lives, a nightly ritual between the two men, and Miles incorporates the story into the play he’s developing. Unwittingly, Miles stumbles upon the key to painful memories locked in Angus’ mind that ultimately unlocks the hearts of them all. Consequently, what begins as a typical fish-out-of-water comedy becomes an absorbing exploration of how art can transform someone’s life.
THE DRAWER BOY is a fictitious tale based on an historic chapter in Canadian theater history. In 1972, a group of Toronto-based actors with the Theatre Passe Muraille ("theatre beyond walls") embarked on a project where they invented localist theater. They lived with farm families in Clinton, Ontario, worked on their farms and collected stories from the locals. The stories were developed into a theatrical production called THE FARM SHOW, which premiered in a barn in Clinton and later toured the cattle markets and community halls of rural Ontario before moving to city theaters and eventually became a successful film, television special and radio show. Twenty-seven years later in 1999, the Theatre Passe Muraille premiered Michael Healey’s THE DRAWER BOY loosely based on their seminal work. The premiere was directed by Miles Potter and starred David Fox, both of whom were members of the original company of "The Farm Show."
THE DRAWER BOY
is rated PG. Ticket discounts are available for groups of ten or more, students
and seniors. For more information or to make reservations, phone the Carpenter
Square Theatre box office at 405-232-6500 or visit online at
www.carpentersquare.com. |
| THE CAST |
|
||
| Angus | Mike Waugh | ||
| Morgan | Steve Vann | ||
| Miles | Corey Whaley | ||
|
THE CREW |
|||
| Director | Rhonda Clark | ||
|
Set
& Sound Design |
Rhonda Clark Steven Gillmore |
||
| Lighting Design | Steven Gillmore | ||
| Costume Design | Corey Martin | ||
|
Stage Manager & Light Technician |
Bob Cross | ||
| Sound Technician | Vickie Zipf | ||
| Set Construction |
Steven Gillmore David Mays Anthony Bullock Christi Newbury |
||
| Scenic Painting |
Rhonda Clark Doobie Potter Roger Oxford Vickie Zipf Vikki Simer |
||
| Properties |
Rhonda Clark Mona Cross |
||
| Running Crew |
Mona Cross Tom Gibson |
||
| Poster Design | Jeni White | ||
| CST Webmasters |
Don Lusk Phil Carlton |
||
| . | |||
|
SPECIAL THANKS TO |
|||
|
Garman Productions - Harn Homestead - Nick Backes - Terry Veal - Vikki Simer - Jon Womastek - Thelma Vann - Doobie Potter - Greg Thorsen - United Engines - Cusack Equipment Additional thanks to the "Stage Demolition Crew": Angela Brock - Jeni & Jonathan White - David Mays - Farah Shaukat - Doobie Potter - Christi Newbury - Steve Vann - Mike Waugh - Michael Gibbons
Cast
Sponsors - Linda Manaugh |
|||