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September 7-22, 1990 It’s the end of the Cold War, but for the men and women stationed at an air force base outside of Omaha, the tensions of existence seem to increase each day. Dean Swift has been transferred to missile silo duty. Seventy feet underground, in a sealed launch center, the twenty-four-hour shifts take their toll on Swift, his wife, Julie, and his duty partner, Fielding. Dean entered the service, like his father before him, hoping to find a purpose to his life. Instead, he realizes that his choice of profession is a tragic mistake. Fielding, by contrast, is an enthusiastic product of military thinking, secure in the identity given him by his regimented duties. Swift’s commanding officer, Major Gurney, has problems of his own. His wife, Carol, is bored with the life on base and tries to drown her sorrows in alcohol and a series of adulterous affairs. Sooner or later they all begin to lose their center in a barren landscape of loneliness and despair. NEBRASKA asks the question, "What is the cost of keeping the peace?" - Dramatists Play Service, Inc. DIRECTOR'S NOTES: When I first saw the play, I was struck by the uniqueness of a missile base as a setting for a play, but most importantly, by the incredibly real, human situations Reddin creates for his characters. Countless times during rehearsals, an actor or I have said "I've lived this" or "I've said these things to my boyfriend" or "I've seen this character in a bar somewhere". You may never have been involved with the military (neither have most of us in this production!), but if you, our audience, leave the theatre saying, "I know some of those characters in real life", then we will have succeeded. Several times in the last few weeks since the problems have exploded in the Middle East, people have commented, "How timely. When did you pick this play about military officers?" Of course, it was selected many months ago, and it is very unfortunate that our minds are now focussed on U.S. servicemen shipping out for overseas. Let us all hope for their quick and safe return - Rhonda Clark (Webmaster's note: These notes would have been written around the time of Operation Desert Shield - in preparation for the Gulf War.)
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| THE CAST |
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Lt. Dean Swift |
Randy Bumgarner | ||
| Mjr. Jack Gurney | Don Shirey | ||
| Julie Swift | Kelly Morris | ||
| Lt. Henry Fielding | Mike Gonzales | ||
| Lt. Ted Barnes | David Swanner | ||
| Carol Gurney | Lilli Bassett | ||
| Kim Newman | Lisa Shenk | ||
| Bartender | Gary Thomas | ||
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THE CREW |
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| Director | Rhonda Clark | ||
| Set Design & Construction | Jim Osterlund | ||
| Lighting Design | Richard Charnay | ||
| Stage Manager | Linda Lagan | ||
| Asst. Stage Mgr. | Katie Je Huffman | ||
| Control Booth | Stephanie Telleen | ||
| Running Crew | Lisa
Warlick Donna Jackson Mike McNulty Gary Thomas |
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| Sound Setup | Skip Bachman | ||
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SPECIAL THANKS TO |
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Technical
Advisors: Audio
Midwest - Evans Home Furnishings - Don Ogle Aircraft Interiors - Vikki
Simer - Forest Lumber Company - Carozza Properties - Lilli Bassett -
Lisa Warlick - Renee Preftakes - Tony Armstrong - Eric Easter - Ron
O'Neal - Richard Corner - State Insurance Fund - Kelly Morris - Katie Je
Huffman - Mary Sine - Kate Leader |
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Produced by special arrangement with The William Morris Agency, New York, NY Rights administered by Dramatists Play Service, Inc. |
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