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June 15 - July 7, 2001 This hilarious West-End and Broadway hit is a farce about a farce! NOISES OFF recounts the misadventures of a third-rate British theater troupe as they tour a sex farce titled "Nothing On" through the hinterlands. In theater parlance, "noises off" refers to offstage sound effects. In this case, the noises off are the backstage yelps and battle cries of the actors who are entangled in a sex farce of their own. Playwright Michael Frayn gives us three separate glimpses of the company and their cheesy comedy.
The silly plot seems to involve a daffy maid in an English country house, where one couple plans an illicit affair, another couple hides from the tax collector, and a drunken burglar and an Arab sheik complicate the action. Of course, the requisite slamming doors and dropping trousers are in abundance. At intervals in the botched rehearsal, the audience gets a glimpse of the actors' own quirky personalities and company romances. |
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A month has passed on tour and tempers are flaring. Smitten lovers would now like to kill each other, but "the show must go on." The actors try to keep up appearances onstage for their matinee audience, but backstage it's a pantomime of choreographed chaos in the fine tradition of the Marx Brothers. A fire axe, a cactus plant, whiskey bottles and malicious practical jokes bring the company, literally, to their knees. |
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The idea for NOISES OFF occurred to Michael Frayn (who is well-known in England for his farces and satirical comedies) one night as he stood in the wings of a London theater watching a performance of a farce he had written for Lynn Redgrave. "It was funnier from behind than in front." He decided to write a farce that depicted the backstage exploits during a performance. Movie audiences may remember Peter Bogdanovich's film version of NOISES OFF, which starred Carol Burnett, Michael Caine, John Ritter, and Christopher Reeve and Americanized the locations and most of characters.
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| THE CAST |
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Dotty Otley |
Jo Perryman | ||
| Lloyd Dallas | Jon Womastek | ||
| Garry Lejeune | Corey Whaley | ||
| Brooke Ashton | Heather Jernigan | ||
| Poppy Norton-Taylor | Jennifer Turner | ||
| Frederick Fellowes | Terry Veal | ||
| Belinda Blair | Rebekah Peddy | ||
| Tim Allgood | Chris Rodgers | ||
| Selsdon Mowbray | Clyde Martin | ||
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THE CREW |
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| Director | Rhonda Clark | ||
| Set Design/Tech Director | Tom Harrington | ||
| Lighting Design | Steven Gillmore | ||
| Costume Design | Corey Martin | ||
| Stage Manager | Bob Bates | ||
| Asst. Stage Mgr & Control Booth | Dustin Mars | ||
| Running Crew | Lyn
Bates Tom Gibson Genger Gibson Jeremy Springer Risa Wilkinson |
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| Set Construction | Tom
Harrington Melody Harrington Dustin Mars Shane Schnetzler Risa Wilkinson Michael Payne Bob Bates Steven Gillmore Rhonda Clark |
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| Scenic Backdrop | Nick Backes | ||
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SPECIAL THANKS TO |
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Mathis Brothers Furniture - Sadri Rugs - Classen School of Advanced Studies - Kent Fischer - Doug Wagner - Suzanne Charney - Doobie Potter - Janey Crain - Becky Clinton - Scott Meek |
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Produced by special arrangement with Samuel French, Inc. This project was made possible with the assistance of the Oklahoma Arts Council and the National Endowment for the Arts. Carpenter Square Theatre is an Allied Arts Member Agency. |
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