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Directed by Brenda Williams
After many years in Los Angeles writing teleplays for Lifetime and screenplays, Ms. Gardner moved back to Oklahoma where she has written for "The Trail of Tears" outdoor drama, among other projects. Ms. Gardner will be on hand for the opening weekend at Carpenter Square Theatre. Audiences will have a chance to meet her at the opening night party immediately following the performance on February 17. In addition, she will be at "Theatre Exchange" on February 18 immediately following the show. Theatre Exchange is a chance for the audience to interact with the actors, director and production, learn more about their dramatic process, and ask questions. In this case, the playwright will be available to answer questions about her play and writing process.
At the play's start Winnie Ruth Judd sits on death row one week before she is to hang. It appears that on October 18, 1931 in Phoenix, Arizona Winnie Ruth shot two of her closest friends and put their bodies into trunks. When one body would not fit, it was dismembered and body parts were placed in a suitcase and a hatbox. She set out for Los Angeles by train, hoping to dump the luggage and bodies in the Pacific. An observant baggage clerk, on the lookout for illegally smuggled venison, noticed that the heavy trunks were oozing a dark, foul-smelling liquid. When he asked her to open them for inspection, Winnie made a vague excuse about her husband having the keys and hurried away with her brother. Nevertheless, the distraught, young woman was taken into custody within four days, tried and sentenced to die.
While on death row Winnie Ruth's only visitor is psychiatrist Elijah Martin, appointed by the court to determine her mental state. If he deems her insane, her life will be spared. But during their sessions, Winnie Ruth is visited by many others in her memories. As these flashbacks play out onstage, the audience glimpses Winnie Ruth's childhood with her confused, oppressive mother, her relationship with a lesbian couple who become her alleged victims, and her love affair with a married man about town. While the play doesn't try to justify or explain her crimes, it does use both humor and drama to suggest how passion, met with persecution and rejection, can lead to tragedy. Carpenter Square Theatre is the recipient of a project assistance grant from the Oklahoma Arts Council for this production. The theater is an Allied Arts member agency and the show is an Allied Arts Star Card event. TIGER LADY is rated PG-13. Ticket discounts are available for groups of ten or more, students and seniors. For more information or to make reservations, phone the Carpenter Square Theatre box office at 405-232-6500 or visit online at www.carpentersquare.com.
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| THE CAST |
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| Winnie Ruth Judd | Lisa Lasky | ||
| Dr. Elijah Martin | Hal Kohlman | ||
| Mrs. McKinnell | Sheryl Martin | ||
| Hedvig "Sammy" Samuelson | Elizabeth Brooks | ||
| Agnes "Anne" Leroi | Jeni White | ||
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Jack
& Voice of the Judge |
Eric Z! Nazim | ||
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THE CREW |
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| Director | Brenda Williams | ||
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Set
& Sound Design |
Steven Gillmore Brenda Williams |
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| Lighting Design | Steven Gillmore | ||
| Costume Design | Corey Martin | ||
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Stage Manager & Light Technician |
Tori Stahl | ||
| Sound Technician | Cole Snider | ||
| Set Construction | Steven Gillmore | ||
| Scenic Painting |
Rhonda Clark Brenda Williams David Mays Steve Vann |
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| Properties | Rhonda Clark | ||
| Running Crew | David Mays | ||
| Poster Design | Jeni White | ||
| CST Webmasters |
Don Lusk Phil Carlton |
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SPECIAL THANKS TO |
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Terry Veal - Vikki Simer - Jon Womastek |
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